{"id":1075,"date":"2012-04-28T14:56:56","date_gmt":"2012-04-28T17:56:56","guid":{"rendered":"http:\/\/www.twisitheatreblog.com\/?p=1075"},"modified":"2023-07-09T16:39:34","modified_gmt":"2023-07-09T19:39:34","slug":"title-of-review","status":"publish","type":"post","link":"https:\/\/www.twisitheatreblog.com\/?p=1075","title":{"rendered":"[title of review]"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"https:\/\/www.twisitheatreblog.com\/wp-content\/uploads\/2012\/04\/467524_336284699771949_133959103337844_890240_394969827_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1076\" title=\"467524_336284699771949_133959103337844_890240_394969827_o\" src=\"https:\/\/www.twisitheatreblog.com\/wp-content\/uploads\/2012\/04\/467524_336284699771949_133959103337844_890240_394969827_o-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.twisitheatreblog.com\/wp-content\/uploads\/2012\/04\/467524_336284699771949_133959103337844_890240_394969827_o-300x200.jpg 300w, https:\/\/www.twisitheatreblog.com\/wp-content\/uploads\/2012\/04\/467524_336284699771949_133959103337844_890240_394969827_o-1024x682.jpg 1024w, https:\/\/www.twisitheatreblog.com\/wp-content\/uploads\/2012\/04\/467524_336284699771949_133959103337844_890240_394969827_o.jpg 1536w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\">andrew chandler, ann doyle, kyle gillis &amp; kirstin howell<\/p>\n<p style=\"text-align: justify;\">Within the theatre community it has often been lamented that in recent years musical theatre in Halifax has largely been reserved only for large budget <a href=\"http:\/\/www.neptunetheatre.com\">Neptune Theatre<\/a> shows with most, if not all, the leading roles going to performers brought in from Toronto or elsewhere in the country. <a href=\"https:\/\/www.facebook.com\/theatrespeak\">TheatreSpeak<\/a>, a relatively new Halifax-based theatre company, seeks to spice up this trend by offering professional caliber musical theatre shows featuring casts and artistic teams made up entirely of local artists. Their first production of this kind is Hunter Bell and Jeff Bowen\u2019s <em>[title of show]<\/em> which plays through the weekend at the North Street Church.<\/p>\n<p style=\"text-align: justify;\">A fanboy\u2019s nerdy love poem to Broadway, <em>[title of show]<\/em> chronicles its own creation following book writer Hunter Bell and composer Jeff Bowen\u2019s journey as they attempt to write an original musical to submit to the New York Musical Theatre Festival. Their scrappy, hilarious and endearing little show about two guys trying to write a musical about two guys trying to write a musical premiered at the Festival in 2004, went on the Vineyard Theatre Off-Broadway in 2006 and opened on Broadway in 2008 and ran there for a respectable 102 performances.<\/p>\n<p style=\"text-align: justify;\">Amid a lot of intentionally obscure musical theatre references and industry jokes, the core of<em> [title of show]<\/em> is a fairytale in which two idealistic dreamers follow their hearts on an exciting adventure toward being able to fulfill their lofty goals without sacrificing too much of themselves in the process. Jeff Bowen\u2019s music is really the show\u2019s most delightful asset, from the extreme cleverness of \u201cDie Vampire, Die,\u201d a song about insecurities, to \u201cA Way Back To Then\u201d a tearjerker anthem of childhood dreams, the score is catchy, the lyrics are intricately woven together and each song makes celebrating the joy of the arts utterly irresistible.<\/p>\n<p style=\"text-align: justify;\">In many ways this is a perfect first musical for TheatreSpeak to do because the grassroots beginnings of Hunter and Jeff\u2019s little show that could mirrors the experience of doing theatre in a small city center like Halifax (Off-Off-Off-Off-Off-Off Broadway, if you will). Yet,<em> [title of show]<\/em>, like any good fairytale, renews our hope and our faith in humble beginnings, proving undeniably that with a lot of perseverance, talent, creativity, pluck and a sincere dedication to the art of it, anything in this crazy business called show is possible. And, what a wonderful thing.<\/p>\n<p style=\"text-align: justify;\">TheatreSpeak\u2019s production features Kyle Gillis as Hunter, Andrew Chandler as Jeff, Kirstin Howell as Heidi and Ann Doyle as Susan. The four of them have a beautiful blend when singing together and a nice chemistry as an ensemble cast. Gillis is especially terrific in capturing Hunter\u2019s hungry, and sometimes desperate, passion to make it big on Broadway, despite the fact that he\u2019s a chronic <a href=\"http:\/\/www.urbandictionary.com\/define.php?term=Procrastibator\">procrasibator<\/a>. Chandler has a naive charm that makes Jeff, who is more protective of his dreams and his heart than the others, the most endearing underdog of them all, rooting the audience firmly by his side for the entirety of the show. A lot of the tension in <em>[title of show]<\/em> is hinged on Hunter and Jeff\u2019s friendship. Can it survive the stress and clash of egos so often involved in great success? I would have liked to see a bit more of this darker underbelly of snarky, anal power struggles in Chandler and Gillis, who were both the nicest guys on the planet for all 90 minutes.<\/p>\n<p style=\"text-align: justify;\">The dynamic between Kirstin Howell\u2019s Heidi and Ann Doyle\u2019s Susan is brilliantly funny but I also really like how we watch their friendship bloom from two skeptical girls both vying to be the star, who bring out all the insecure in each other, to revelling in the fact that, indeed, to borrow again from <em>Into the Woods<\/em>, sometimes \u201cit takes two\u201d to make a really powerhouse performance like their duet \u201cSecondary Characters.\u201d Howell\u2019s Heidi, an actor who has made it to Broadway (several times) as a swing\/understudy\/ensemble\/dance captain\/assistant stage manager, has a distinctive professionalism about her, strength of character and smarts which makes her a worthy counterpart for &#8220;corporate whore&#8221; Susan, who Doyle gives a great gusto of power, wit with just the right amount of bitterness, and a facade of confidence one vampire away from completely crumbling. I hope to see much more of Howell and Doyle working together in the future; they are a dynamic duo.<\/p>\n<p style=\"text-align: justify;\">Choreographer Mary Lou Martin gives <em>[title of show]<\/em> some terrific dance numbers, particularly \u201cDie Vampire, Die\u201d and \u201cSecondary Characters\u201d as well as Howell\u2019s tap number (which I wish was a little longer). They all had me grinning like a six year old in a candy store on Easter morning. Rhys Bevan-John directs the show, keeping the pace brisk, the comic timing steady and transitions smooth between the scenes and the songs. Alvaro Ortiz plays Larry the Musical Director, giving Larry a nice awkwardness stowed away at the back of the stage behind the piano, but sometimes dragged into the action (although not enough to warrant being in the publicity photos). The harmonies in the show are tight and the casts\u2019 diction when singing is superb, although oddly, they do have a habit of throwing some of their spoken lines away, which makes them difficult to hear at times.<\/p>\n<p style=\"text-align: justify;\">In all<em> [title of show]<\/em> is an exciting first musical from TheatreSpeak and one that looks promisingly toward the future of Halifax-based musical theatre in this city.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>\u00a0 [title of show]<\/em> plays at the North Street Church (5657 North Street, Halifax) until Sunday April 29<sup>th<\/sup>, 2012, with shows at 2pm and 8pm today and tomorrow. For more information or to book your tickets please email <a href=\"mailto:theatrespeak@gmail.com\">theatrespeak@gmail.com<\/a>, call 902.425.4102. Blink and you miss it, and if you do, you will probably be sad!\u00a0\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>andrew chandler, ann doyle, kyle gillis &amp; kirstin howell Within<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4671],"tags":[3170,3365,3957,5462,5463,3653,4199,3376,4473,3169],"class_list":["post-1075","post","type-post","status-publish","format-standard","hentry","category-review","tag-alvaro-ortiz","tag-andrew-chandler","tag-ann-doyle","tag-hunter-bell","tag-jeff-bowen","tag-kirstin-howell","tag-kyle-gillis","tag-mary-lou-martin","tag-north-street-church","tag-theatrespeak"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[title of review] - The Way I See It Theatre &amp; 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