{"id":2235,"date":"2013-09-29T16:18:22","date_gmt":"2013-09-29T19:18:22","guid":{"rendered":"http:\/\/www.twisitheatreblog.com\/?p=2235"},"modified":"2023-07-08T16:21:16","modified_gmt":"2023-07-08T19:21:16","slug":"kathryn-maclellan-on-being-in-the-room-when-youve-never-seen-your-script-before","status":"publish","type":"post","link":"https:\/\/www.twisitheatreblog.com\/?p=2235","title":{"rendered":"Kathryn MacLellan on Being In The Room When You’ve Never Seen Your Script Before"},"content":{"rendered":"

\"Kathryn<\/a>Tonight Kathryn MacLellan, Halifax based actor and Artistic Director of KAZAN CO-OP<\/a>, will stand on stage at the Bus Stop Theatre and be handed a sealed envelope. Inside there will be a play called White Rabbit Red Rabbit<\/em>, written by Iranian playwright Nassim Soleimanpour. She will then perform this play for this audience. As Kathryn and I sit at Two If By Sea <\/a>in Dartmouth on a beautiful very early Saturday morning, this is all that Kathryn knows about what awaits her in DMV Theatre<\/a> and Aurora Nova Productions<\/a> production of White Rabbit Red Rabbit<\/em>. Read on to hear Kathryn’s pre-show thoughts of how an actor tackles this unique and exciting situation.<\/p>\n

Amanda Campbell (AC):<\/strong> So, you don\u2019t know anything about the play that you\u2019re doing on Sunday.<\/p>\n

Kathryn MacLellan (KM):<\/strong> I know nothing. I know that great people are doing it all week.<\/p>\n

AC:<\/strong> You\u2019re in a very eclectic group of people.<\/p>\n

KM:<\/strong> Yup.<\/p>\n

AC:<\/strong> I could go every night! I keep being like, \u201cI want to see THAT person! Oh. I want to see THAT person!\u201d<\/p>\n

KM:<\/strong> Yeah. And the age range is interesting. I will be interested to see when we all gather after- which I am very excited about- getting to gather with all the actors who have done the play over these two weeks to discuss our experiences with it. Since right now we\u2019re not allowed to talk about it with one another. It is an experience in the room in the moment.<\/p>\n

AC:<\/strong> \u201cIn the Room.\u201d<\/p>\n

KM:<\/strong> \u201cIn the Room: KAZAN CO-OP.\u201d laughs.<\/em> It will be nice to be able to share what I found and what other people found because I will go next week after I\u2019m up on Sunday. I will go and see a few people. I like the fact that Pam (Halstead) has chosen more experienced artists. I think the youngest is probably Stewart (Legere) and Glen (Matthews).<\/p>\n

AC:<\/strong> Glen is probably the youngest.<\/p>\n

KM:<\/strong> Glen is probably the youngest.<\/p>\n

AC:<\/strong> It\u2019s interesting because I have heard from people who do one person shows that it is kind of a lonely experience because you have no one to share it with and so White Rabbit Red Rabbit<\/em> is kind of like the extreme version of that. Not only is it a one person show, in a way, it\u2019s also only one night and you can\u2019t talk to anyone who has done it or seen it before and there is no director. That makes it even better to have a debriefing at the end of it all for everyone.<\/p>\n

KM:<\/strong> Yes, Absolutely. Absolutely. And how you handle things. Like Janet (MacLellan) asked me, \u201cWhat happens if you make a mistake?\u201d And you can. It\u2019s like a cold read. I\u2019m actually not nervous or fearful, which I know some people have talked about, because it\u2019s not really about me. It\u2019s about the playwright. It\u2019s about him.<\/p>\n

AC:<\/strong> Right.<\/p>\n

KM:<\/strong> It\u2019s about his work. I am just the instrument. I just have to be in tune that night and nice and relaxed and have a little water on the stage, I hope. I didn\u2019t ask Pam that yet, but I\u2019ll just bring some. And wear comfortable clothing in case I have to move around and those are the questions I\u2019m asking myself. What is the best way for me to prepare in order to fulfill what needs to be done? So, it\u2019s more like going into more like an acting class, when you are getting thrown things. I am going to choose to go barefoot and wear something loose and comfortable. Something I can move in and not worry about anything and just be the instrument. And if there is a sentence that I read that doesn\u2019t lift off the page, then I will go back. I mean, everyone in the room knows that I just got handed the envelope. Laughs.<\/em> So, I\u2019m not worried about that. Now, my heart will probably pound and I might sweat a little bit, but that\u2019s okay. That happens. I guess my most recent experience was in Kazan\u2019s production of Daniel MacIvor\u2019s I, Animal<\/em> where I had a thirty minute monologue- direct address- and you know, that\u2019s not easy. I think the most challenging thing is to keep your energy up so that you can land things that need to land in the moment and then not get too internal and keep it lifted so that the audience is also with you. So, really, the audience is the partner. The audience is your scene partner. So, that\u2019s how I\u2019m thinking of it. It\u2019s not about me. It\u2019s about us. It\u2019s about the collective. That\u2019s what interested me when Pam asked me. His (playwright Nassim Soleimanpour) process interested me and the reason why he was doing it this way, which I don\u2019t even know but maybe I will when the material gets revealed. I just hope there\u2019s not too many Iranian names that I can\u2019t pronounce. Laughs.<\/em> That might be an issue.<\/p>\n

AC:<\/strong> You\u2019re not the first person who has had that fear. I had a similar conversation with Rhys Bevan-John and he said, \u201cI just want to be able to pronounce the guy\u2019s name!\u201d And I was like, fair enough.<\/p>\n

KM:<\/strong> If I don\u2019t, it\u2019s charming right?<\/p>\n

AC:<\/strong> Exactly. We\u2019re from Nova Scotia… where everyone\u2019s last name begins with Mac. Laughs.<\/em><\/p>\n

KM:<\/strong> So, yeah. I don\u2019t know. We\u2019ll see. I think the most challenging thing is the energy level- keeping it up and keeping connected with yourself and the audience and the material.<\/p>\n

AC:<\/strong> I find it interesting because I have seen the play twice and I think that, probably, White Rabbit Red Rabbit<\/em> will be the only play that I will ever go into knowing FAR more about the script, the play and the show than the actor performing it. That\u2019s a weird position to be in as an audience member! I have heard your script and you have not. Also, because there is no director, watching the different actors\u2019 choices- their instinctive choices, is very cool. Since there is no director, the actors can do whatever they want.<\/p>\n

KM: Right. Yes. Which is sort of like what rehearsal is. But in White Rabbit Red Rabbit<\/em> we\u2019re doing that entire process- all in one night!<\/p>\n

AC:<\/strong> Yes. Exactly!! All in front of an audience on Sunday at the Bus Stop!<\/p>\n

Kathryn MacLellan will perform Nassim Soleimanpour\u2019s White Rabbit Red Rabbit<\/em> tonight, Sunday September 29th<\/sup> at 8pm at the Bus Stop Theatre (2203 Gottingen Street). Tickets are $15.00 and available at this website<\/a> or at the door. There will be a different actor for each performance and the artists lined up for next week are: Ann-Marie Kerr, Stewart Legere, Marty Burt, Mary-Colin Chisholm, Chris Shore, Susan Stackhouse and Pasha Ebrahimi. If you come more than once all return tickets are only $5.00. Come be in the room with Kathryn tonight to discover something very special in the theatre simultaneously together.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Tonight Kathryn MacLellan, Halifax based actor and Artistic Director of<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4672],"tags":[5082,3274,3496,5083,4041,3887,3884,5072,3508,4166,3160,3242,5081],"class_list":["post-2235","post","type-post","status-publish","format-standard","hentry","category-interview","tag-aurora-nova-productions","tag-daniel-macivor","tag-dmv-theatre","tag-glen-matthews","tag-janet-maclellan","tag-kathryn-maclellan","tag-kazan-co-op","tag-nassim-soleimanpour","tag-pamela-halstead","tag-rhys-bevan-john","tag-stewart-legere","tag-the-bus-stop-theatre","tag-two-if-by-sea"],"yoast_head":"\nKathryn MacLellan on Being In The Room When You've Never Seen Your Script Before - The Way I See It Theatre & Music Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.twisitheatreblog.com\/?p=2235\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kathryn MacLellan on Being In The Room When You've Never Seen Your Script Before - 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