{"id":370,"date":"2010-03-18T06:33:00","date_gmt":"2010-03-18T09:33:00","guid":{"rendered":"http:\/\/66.147.244.61\/~twisithe\/?p=370"},"modified":"2023-07-13T11:58:39","modified_gmt":"2023-07-13T14:58:39","slug":"a-communal-aria-for-all-who-knew-grannie","status":"publish","type":"post","link":"https:\/\/www.twisitheatreblog.com\/?p=370","title":{"rendered":"a communal aria for all who knew grannie"},"content":{"rendered":"<div style=\"text-align: justify;\">\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http:\/\/2.bp.blogspot.com\/_T3kh_qPyRZY\/S81P-yNff4I\/AAAAAAAAA1M\/r-UJYQNTh_g\/s1600\/DSC_1963.JPG\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/2.bp.blogspot.com\/_T3kh_qPyRZY\/S81P-yNff4I\/AAAAAAAAA1M\/r-UJYQNTh_g\/s320\/DSC_1963.JPG\" wt=\"true\" \/><\/a><\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">andrea scott, joseph pierre, ordena,<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">marcel stewart, miranda edwards<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><\/div>\n<p>Despite what popular culture may have you believe, I did not find it to be such a huge cultural adjustment when I moved to Toronto from little Halifax, Nova Scotia with a dream and my cardigan. Yet, there is one dynamic that I keep encountering in the Torontonian theatre which is completely unfamiliar to me and that is the influence of Toronto\u2019s vibrant Jamaican community. For this reason I approached <a href=\"http:\/\/www.obsidian-theatre.com\/\">Obsidian Theatre\u2019s<\/a> production of ahdri zhina mandiela\u2019s play <em>who knew grannie: a dub aria<\/em> with a particular mix of ardent curiosity, eagerness and apprehension. What was a dub aria and, with my very limited knowledge of Jamaican culture, would I be able to understand mandiela\u2019s play well enough to be able to write about it without sounding like a provincial ignoramus? <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">Thankfully, mandiela confronts the question of dub arias in her informative <em>Notes from the Playwright\/Director<\/em> in the show\u2019s programme where she writes, \u201ci say [a dub aria] is \u2018an emotional flight usually done in a single melodic voice\u2019 yet <em>who knew grannie<\/em> has five characters in this story&#8230; and they very seldom sing&#8230; i needed to bring several characters in one voice thru a single journey. the single melodic voice in this aria is stuffed with orality from all kind of corners: children\u2019s games, choral work, dub poetry, opera, and even prayers: hence a dub aria.\u201d The result is a beautiful mixing of styles and voices that all seem to keep time in the same rhythm and to tell the same universal story, the honouring of one\u2019s grandmother, her heritage and her home. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">The play begins with the death of grannie, an event that prompts her four grown grandchildren (each one cousins of one another), who are scattered across the world, to return home to Jamaica to say farewell. What follows is a nostalgic homage to a strong matriarch, bathed in the warm hues and shadows of memory and enriched by the poignant pulse of Amina Alfred\u2019s percussion. The cousins immerse themselves into the most vibrant recollections of their childhood and they frequently layer their voices on top of one another so that no one cousin becomes the authority on grannie or the past. Instead, they suck one another in to certain communal experiences that they can share such as,&nbsp;the way their grannie called for them, the way she teaches them, the games they played together like \u201cWhat Time Is It, Mr. Wolf\u201d and certain songs like \u201cBrown Girl in the Ring\u201d and \u201cSwing Low Sweet Chariot.\u201d These moments burst out to unify the voice into this sort of dub aria. The moments where the performers converge into dance and song are especially electric and both the energy and the emotion, which is always mirrored in the drum, is effortlessly contagious for the audience.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">Ordena plays grannie with a grounded sense of strength and unmistakable love and respect for her grandchildren. Ordena gives grannie such dignity and vivaciousness that the audience becomes very quickly swept up in joining the cousins in the celebration of her life. Andrea Scott shines particularly bright as vilma, the oldest of the cousins who has grown up to be a successful and diligent politician with zero tolerance for nonsense and a firm handle on the world. It is particularly interesting to watch how Scott characterizes vilma as a child as it provides subtle insights into how her adult persona was shaped and fostered. Joseph Pierre plays tyetye, a lost soul with a bitter hesitance toward reconciling himself with the life of his mother. Marcel Stewart is dynamite as kris, the chef. Stewart is particularly wonderful as young kris, a boy who beams with adoration for grannie and longs for her affection, attention and praise. He also has a brilliant monologue where his happy facade splits open to reveal the anger and bitterness behind his dedication and ambition. Miranda Edwards is charmingly diffident and awkward as blind likklebit, whose sweet earnestness is irresistible as is her desire to soak up every ounce of the world around her. ahdri zhina mandiela\u2019s direction is artful, at times stunningly so, and it evokes the sensation of the whirling of dreams, of memories, of faraway voices, distant thoughts and fantasies surrounding one woman as she makes her journey out of this world. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">who knew grannie doesn\u2019t offer its audience a revelation of something previously unknown; instead it celebrates something wonderfully familiar, the bonds of family and the heartbeat of home. At the end of the play the four cousins find themselves reunited, laughing through their tears, and I was left with an overwhelming urge to call my grandmother and to tell her I love her.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><strong>Obsidian Theatre&#8217;s <em>who knew grannie: a dub aria<\/em> is presented in association with Factory Theatre (125 Bathurst Street)&nbsp;and plays there until April 4th, 2010. For more information or to book your tickets please call Factory Theatre at 416.504.9971 or go online to <\/strong><a href=\"http:\/\/www.factorytheatre.ca\/\"><strong>http:\/\/www.factorytheatre.ca<\/strong><\/a><strong>. &nbsp;<\/strong><\/div>\n","protected":false},"excerpt":{"rendered":"<p>andrea scott, joseph pierre, ordena, marcel stewart, miranda edwards Despite<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4671],"tags":[5755,6797,4460,6793,6795,6796,3523,6794],"class_list":["post-370","post","type-post","status-publish","format-standard","hentry","category-review","tag-ahdri-zhina-mandiela","tag-amina-alfred","tag-andrea-scott","tag-joseph-pierre","tag-marcel-stewart","tag-miranda-edwards","tag-obsidian-theatre","tag-ordena"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>a communal aria for all who knew grannie - The Way I See It Theatre &amp; 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