{"id":386,"date":"2010-04-22T08:35:00","date_gmt":"2010-04-22T11:35:00","guid":{"rendered":"http:\/\/66.147.244.61\/~twisithe\/?p=386"},"modified":"2023-07-13T11:22:25","modified_gmt":"2023-07-13T14:22:25","slug":"hang-around-dynamo-theatre-you-may-want-to-see-their-show-thrice","status":"publish","type":"post","link":"https:\/\/www.twisitheatreblog.com\/?p=386","title":{"rendered":"Hang Around DynamO Theatre, You May Want to See Their Show Thrice!"},"content":{"rendered":"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http:\/\/4.bp.blogspot.com\/_T3kh_qPyRZY\/S9AJ1_q6S7I\/AAAAAAAAA1U\/pg6vJdaVB0U\/s1600\/Thrice-001.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/4.bp.blogspot.com\/_T3kh_qPyRZY\/S9AJ1_q6S7I\/AAAAAAAAA1U\/pg6vJdaVB0U\/s320\/Thrice-001.jpg\" wt=\"true\" \/><\/a><\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">l-r: hugues sarra-bournet, jean-fran\u00e7ois guilbault, <\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">andr\u00e9anne joubert<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">photo: \u00a9 yves st-jean<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><\/div>\n<div style=\"text-align: justify;\">Yesterday I had the great privilege of sitting among some of Toronto\u2019s most precocious and impressively well behaved seven and eight year olds watching <a href=\"http:\/\/www.dynamotheatre.qc.ca\/en\/\">DynamO Th\u00e9\u00e2tre\u2019s<\/a> production of Jacqueline Gosselin\u2019s <em>Thrice Upon a Time<\/em> in the <a href=\"http:\/\/www.lktyp.ca\/\">Lorraine Kimsa Theatre for Young People<\/a> Studio Theatre. DynamO is a theatre company from Montreal that uses acrobatics, clown, juggling and mask work to develop scripts for full length plays and to tell rich and dynamic stories through acrobatic movement. The result, in the case of <em>Thrice Upon a Time<\/em>, is one of the most stunning pieces of theatre for young audience\u2019s that I have ever seen. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">The set, designed by Pierre-\u00c9tienne Locas, is largely made up of a structure reminiscent to a jungle gym which is adorned with metal poles that can be added and moved in various combinations throughout the show. The play begins with The Young Lad, played by Jean-Fran\u00e7ois Guilbault, climbing up atop the set and gazing down with interest at the rest of the world below. The children in the audience were immediately captivated in silent awe. <em>Thrice Upon a Time<\/em> is a story about the courage and the strength that it takes to be a child in a world where one\u2019s values and sense of justice and fairness are always being challenged. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">Although the play has a very strong and clear narrative, the story is told mostly through the physical movements and the actions and reactions of each of the performers rather than relying too much on dialogue. Gosselin\u2019s script is strikingly minimalist and has a definite poetic feel to it, but all the nuance and depth in the characters that propel the story forward come from the performers\u2019 bodies. The story is a simple one: the lad decides to confront his fears and take his place in the world and he quickly finds himself in the company of The Monkey, who seeks to avenge the deaths of all his ancestors who perished at the hands of The Witch. Along the way they liberate the Lonely-Girl as they discover that it will take all three of them if they hope to rid their world of evil.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">This is a visually breathtaking play that vibrantly challenges the notion that the theatre is in any way limited in its storytelling options. Jacqueline Gosselin and Robert Dion have tightly choreographed the action sequences in this play with an intense mixture of acrobatics, gymnastics and dance, combined with impressive strength and commitment from the actors. This produces brutal physical fight scenes which succeed in being artistic without losing their power or their credibility. Erwann Bernard\u2019s lighting is used particularly effectively during one action sequence where the characters are seen as shadows on a curtain performing numerous acrobatic tricks which gives the characters&#8217; journey the magic and sense of limitless possibility of a cartoon. Most of all, however, the acrobatics in the play are used to evoke laughter. As in legendary comedy routines, such as The Marx Brothers, The Three Stooges and with Charlie Chaplin\u2019s Tramp, nearly every movement that happens on the stage is either the set up or the punch line to a joke and this is utterly delightful for everyone. Jean-Fran\u00e7ois Pedn\u00f4&#8217;s brilliant percussion and wide array of sound effects also proves essential to the creation of the world of the piece and helps give the story much of his magic. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">This play certainly requires incredibly dexterous and exceptionally talented performers and this production is blessed with three of them. Andr\u00e9anne Joubert plays both the Witch and the Lonely Girl. She has a perfectly-pitched maniacal cackle as the former and shows off incredible acrobatics, including a stunning kick-fight while in a hand-stand with the Monkey. She is quick, mighty and fearless and at one point she dove head first horizontally through a hole on the side of the stage like a fox or a rabbit disappearing into its den. Hugues Sarra-Bournet is a monkey in every sense of the word- his knack for climbing, swinging and hanging from metal poles, along with his brilliant tumbling and penchant for flips is awe-inspiring. Sarra-Bournet and Guilbault (as the Young Lad) have an array of incredible sequences together, including one that uses poles and trampolines where the two engage in a competition to see who is the most adept acrobat. This is an effective way to showcase a huge number of these performers\u2019 skills without detracting from the story. There is also a hilarious sequence in which Sarra-Bournet and Guilbaut tumble and dive into the three trapdoors on the stage- eventually interacting with the cutest puppet of a hedgehog- and they&nbsp;engage in what ends up looking like a hilarious human\/hedgehog round of Whack-A-Mole. Incredible! I was especially impressed with the calibre of acting in this play. Jean-Fran\u00e7ois Guilbaut&nbsp;is especially captivating to watch in a sequence where the Young Lad revels in the natural world around him. Guilbaut\u2019s sense of wonder and joy&nbsp;is so simple and utterly contagious. His expressions are crisp, clear and in isolation from one another but always retain an effervescent sense of his emotion. He also has a sheepish smile that can delight the entire audience in two seconds. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">I think that it is imperative that all children have the opportunity to attend the type of theatre that will invigorate them, inspire them, awe, fascinate, impress and delight them. I saw an entire room filled with children having this experience at Lorraine Kimsa yesterday. Please take a child you care about to <em>Thrice Upon a Time<\/em>, I\u2019m certain they\u2019ll leave the theatre begging to return. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><strong>DynamO Th\u00e9\u00e2tre\u2019s <em>Thrice Upon A Time<\/em> plays at the Lorraine Kimsa Theatre for Young People Studio Theatre (165 Front Street East) until April 29th, 2010. For more information or to book your tickets please call 416.862.2222 or visit <\/strong><a href=\"http:\/\/www.lktyp.ca\/\"><strong>http:\/\/www.lktyp.ca<\/strong><\/a> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>l-r: hugues sarra-bournet, jean-fran\u00e7ois guilbault, andr\u00e9anne joubert photo: \u00a9 yves<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4671],"tags":[6728,6729,6733,6726,6731,6727,6734,6730,6732,3747,6173],"class_list":["post-386","post","type-post","status-publish","format-standard","hentry","category-review","tag-andreanne-joubert","tag-dynamo-theatre","tag-erwann-bernard","tag-hugues-sarra-bournet","tag-jacqueline-gosselin","tag-jean-francois-guilbault","tag-jean-francois-pedno","tag-pierre-etienne-locas","tag-robert-dion","tag-toronto","tag-young-peoples-theatre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hang Around DynamO Theatre, You May Want to See Their Show Thrice! 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