{"id":533,"date":"2010-11-24T05:58:00","date_gmt":"2010-11-24T09:58:00","guid":{"rendered":"http:\/\/66.147.244.61\/~twisithe\/?p=533"},"modified":"2023-07-10T18:00:44","modified_gmt":"2023-07-10T21:00:44","slug":"something-very-strange-with-michael-ohara","status":"publish","type":"post","link":"https:\/\/www.twisitheatreblog.com\/?p=533","title":{"rendered":"Something Very Strange with Michael O&#8217;Hara"},"content":{"rendered":"<div style=\"text-align: justify;\"><a href=\"http:\/\/s1116.photobucket.com\/albums\/k567\/twisi_amanda\/?action=view&amp;current=mike.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" alt=\"Photobucket\" border=\"0\" src=\"http:\/\/i1116.photobucket.com\/albums\/k567\/twisi_amanda\/mike.jpg\" \/><\/a><\/p>\n<div align=\"center\">michael o&#8217;hara\ufeff<\/div>\n<p>Each time that I see Michael O\u2019Hara perform I am struck by an overwhelming sensation that I have somehow been teleported back to a time when Judy Garland and Dean Martin had their own Variety Shows, when Sammy Davis Jr. and Groucho Marx smoked their cigars inside and Bob Dylan had yet to go electric. This was very much the case at O\u2019Hara\u2019s latest Evening of Song, <em>Something Very Strange<\/em>, last Saturday evening at the Annex Live. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">Michael O\u2019Hara is a natural born performer whose own stage presence and deportment harkens back to the days of razzle dazzle that John Kander and Fred Ebb captured so brilliantly in their canon of music. It was especially appropriate then for our strange evening to begin with the charismatic O\u2019Hara\u2019s rendition of \u201cWillkommen\u201d from <em>Cabaret<\/em>, which melded very quickly into a big brassy ode to Barbra Streisand with \u201cDon\u2019t Rain on my Parade\u201d from <em>Funny Girl<\/em> and then quickly into an equally dynamic performance of \u201cEverything\u2019s Coming Up Roses\u201d from <em>Gypsy<\/em>. While it\u2019s not especially out of the ordinary to see male musical theatre performers appropriating these eleven o\u2019clock showstoppers traditionally performed by the most iconic female Broadway divas of all time&nbsp;into their own Cabaret acts, O\u2019Hara infuses them with a rare cocktail of masculinity and elegance, which does suggest a certain affinity with performers such as Dean Martin or Sammy Davis Jr., but also contains clear elements borrowed from Merman, Streisand, Minnelli and Garland mixed up in there as well.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">All the Cabaret greats have gotten the opportunity to sing the new material of the illustrious composers of their time and Michael O\u2019Hara is no exception. He performed a terrific new song written by Canadian musical legend Nancy White called \u201cShe Got the Inside\u201d about the perils of losing all one\u2019s possessions in an especially messy divorce. This contemporary tune, with references to the iPad and Blackberries, reminded me of something an early Cole Porter could have written, wry and witty with a snappy tune and an array of intricately rhymed lyrics. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">What I think is most strange about Michael O\u2019Hara is that for a performer of musical theatre, and for someone who is as passionate about (at least a specific era of) Broadway and Cabaret culture and minutiae, he has surprisingly eclectic musical&nbsp;tastes. It is also always stunning for people when they are first introduced to O\u2019Hara to find that not only is he a smooth performer in his own right, but he is also among the best celebrity impersonators working within the Toronto theatre community. It is dazzling to watch him suddenly morph into someone else, matching their vocal timbres and, in many ways, their physicality, with seamless ease. So, it was in this way that as soon as O\u2019Hara picked up his guitar we were suddenly in the presence of Elvis Presley singing \u201cLittle Sister.\u201d Later on he regaled us with a country music medley that included Hank Williams and Dwight Yoakam. Once you have seen O\u2019Hara perform a few times it becomes quickly apparent that he is able to sing in any genre and to capture all the flavour and the nuances of it, not only in general, but also in the details of individuals within each genre, to absolute perfection.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">O\u2019Hara\u2019s ability to mimic also comes in frequent handy during his banter with the audience, which feels very New York or Las Vegas, a continuous breaking down of the fourth wall and engaging directly with his adoring public. He is an engaging storyteller with swift comic timing and his ability to assume the voices of the people he is referring to, especially those of notoriety, gives his stories a nice added texture. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">The challenge, I think, for Michael O\u2019Hara at the moment is that his shows cater to a very specific demographic, the students and alumnus of Wexford Collegiate for the Arts, the school that he and many of his perpetual guests graduated from. This community is an incredibly supportive one, which is fantastic, and O\u2019Hara\u2019s shows are always filled nearly beyond capacity, but, at the same time, he has not yet found a way to truly amass an audience of his own independent from his former school. Also, with such an insular audience, there are times when the performers run the risk of relying too heavily on inside references that can be alienating for the out of the loop audience members. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">Some of O\u2019Hara\u2019s guests were particularly incredible. Bryan Hindle sang a smooth and gorgeous rendition of \u201cI\u2019ll Be Here\u201d from <em>The Wild Party<\/em>, which was so dreamy and soulful you could have heard a pin drop in the crowded restaurant. Theresa Tova sang \u201cKisses Sweeter Than Wine\u201d in Yiddish with O\u2019Hara, which was breathtakingly gorgeous and then, in signature Jewish beltress style, Tova sang a powerful and jazzy Yiddish version of \u201cLet It Snow, Let It Snow, Let It Snow,\u201d which made me realize that what Christmas really needs is more Yiddish carols. Warren Bain and Matt Bernard, as Bain and Bernard, are a Vaudevillian comedy duo, who I don\u2019t think have quite cemented their dynamic yet. However, they performed a \u201cBaby It\u2019s Cold Outside\u201d sketch which was utterly charming and reminded me of something that the Muppets would have done, so certainly these boys are well on their way to uncovering their niche. Surely what Toronto\u2019s theatre community needs is more Vaudevillians! <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">The chandelier crashing moments of the evening were listening to O\u2019Hara\u2019s gorgeous belting of the title song from \u201cKiss of a Spider Woman,\u201d which was rapturous for those of us with&nbsp;soft spots for long, soaring open notes. He showed off his dexterity, articulation and unbelievable swiftness with a cheeky performance of \u201cI Am The Very Model of a Modern Major General.\u201d Yet, it was the encore during which O\u2019Hara seemed to transcend even himself, in a seemingly simple but gorgeously sincere, rendition of \u201cMemory\u201d with soft intensity and then almost operatic, his lovely bright voice swathing the whole room in goose bumps, at the end. It really is O\u2019Hara\u2019s thousand dollar number, and I don\u2019t want to hear that song sung again out of the fear that it will somehow lessen the memory of it for me. <\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">Michael O\u2019Hara is outstandingly multitalented and he should be performing in smoky nightclubs and on Variety Hours all over this town because he really is bringing the sixties back and&nbsp;when they get here, it&#8217;s going to marvelous. &nbsp;&nbsp;<\/div>\n","protected":false},"excerpt":{"rendered":"<p>michael o&#8217;hara\ufeff Each time that I see Michael O\u2019Hara perform<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4671],"tags":[6190,6199,6195,5796,6194,6192,6191,6198,6189,6193,6196,6197],"class_list":["post-533","post","type-post","status-publish","format-standard","hentry","category-review","tag-annex-live","tag-bain-and-bernard","tag-bryan-hindle","tag-cabaret","tag-cole-porter","tag-fred-ebb","tag-john-kander","tag-matt-bernard","tag-michael-ohara","tag-nancy-white","tag-theresa-tova","tag-warren-bain"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Something Very Strange with Michael O&#039;Hara - The Way I See It Theatre &amp; 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